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Recent Episodes
351 Learning Music Theory as an Adult Musician — A Practical Framework
Most music theory education is built for nineteen-year-olds in a conservatory. If you're a working musician who's been gigging for years on ear, feel, and a handful of chord shapes, that path doesn't…
350 The Event Band Income Model — Cory Wade
Most musicians think of wedding and corporate gig work as a compromise — something you do until your "real" music career takes off. Cory Wade flipped that script. As a vocalist and band leader with…
349 The House Concert Business Framework: How Independent Artists Create Their Own Market
Most independent musicians are competing for the same shrinking pool of venue slots, hoping someone books them. House concerts flip that model entirely — and the artists who've figured this out…
348 Why Sync Licensing Is a Relationship Business – with Chris SD of Sync Songwriter
Most independent musicians trying to break into sync licensing are focused on the wrong problem. They're concerned about mix quality, metadata, and whether their instrumental version is ready. And…
347 Physical Products That Actually Make Money – Thom Skarzynski
Independent musicians with loyal fanbases are leaving significant revenue on the table by treating physical products as afterthoughts. Vinyl, CDs, and cassettes aren't nostalgia plays—they're…
346 Christal Hector – How Independent Venues Actually Evaluate Artists
Most independent artists treat venue booking like throwing darts in the dark—mass outreach with generic pitches, hoping something sticks. Christal Hector, founder of TuneHatch and member of the…
345 The Session Musician's 50-Year Career Blueprint with Johnny Thirkell
Most musicians dream of stability. Johnny Thirkell built a 50-year career with David Bowie, Paul McCartney, George Michael, and The Who - starting from colliery bands and working men's clubs in the…
344 The Economics of Niche Markets for Creatives
What if the best business decision you could make is accepting your music is "unmarketable"? Not in the sense that nobody wants it—but that it won't compete for Spotify playlists alongside mainstream…
343 The Pre-Streaming Revenue Model: Dollars Before Pennies
Most independent artists release their albums everywhere immediately—Spotify, Apple Music, every streaming platform. But what if that's backwards? Ezra Vancil sold his last album exclusively to…
342 What I Learned in 2025
Welcome to 2026. In the last episode, I shared what I'm grateful for and the personal questions I'm sitting with. Today, I'm sharing the strategic side: what I learned in 2025 that changed how I…
341 Gratitude, Growth, and What I'm Learning (Holiday Edition)
Every year, I write up a gratitude list. This year, the list came easily - but it's mixed with what I'm learning, because growth and gratitude feel connected right now. In this holiday edition, I…
340 How to Conduct a Personal Royalty Audit and Recover Missing Money
Most independent artists have thousands of dollars in unclaimed royalties sitting in four separate collection systems—and a four-year window to recover this money before it's redistributed to major…
339 Missing Royalties: Revenue Recovery Strategies with Amani Roberts
Independent musicians leave significant money on the table—not from lack of talent, but from unclaimed royalties and overlooked revenue streams. Amani Roberts, music business educator and author of…
338 Jesse Flores – Distribution Partnerships And Strategic Planning For Independent Artists
Distribution partnerships can make or break an independent music career, but most artists don't understand what separates a good deal from a bad one. Jesse Flores, VP of Artist and Label Partnerships…
337 Ezra Vancil – Business Systems: From Marketing Day Job to Sustainable Music Career
After 10 years with the same band and launching his own label, Ezra Vancil has learned that sustainable music careers require business systems—not just passion. In this conversation, he reveals the…
336 Community Collaboration: Turning Your Fanbase Into Creative Partners Without Losing Artistic Control
Can your community become a creative collaborator without turning your art into committee-designed mediocrity? In this solo episode, I explore proven frameworks for involving your audience in the…
335 Music Revenue Through Community - Moving Beyond Streaming
Music revenue diversification is essential for independent artists, but how do you actually monetize your community of superfans? This follow-up to episode 333's community-building strategies…
334 Musician Podcaster Bree Noble – From Kitchen Recordings to Industry Authority
As a musician podcaster who has built multiple successful shows over the past decade, Bree Noble represents what's possible when artists embrace podcasting as both a creative outlet and business…
333 How to Build, Name, and Nurture Your Creative Community
Most independent artists focus on building an audience, but the real power lies in developing a creative community. In this episode, I delve into the psychology behind transforming casual followers…
332 Eli Lev – Spiritual Growth: From 250 Shows to Finding Sacred Space in Music
Spiritual growth takes many forms for independent musicians. Folk artist Eli Lev has woven together influences from Jewish upbringing, Buddhism, and Navajo teachings into a unique artistic journey…
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The Unstarving Musician has published 351 episodes since July 2017, covering topics in Business, Marketing.
The Unstarving Musician is currently highly active with new episodes every 2 weeks. Average episode length is 47m.
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